Here's the
obligatory apology for not posting for so long. I'm very sorry, don't be
angry with me. I've been very busy making a film!
I was very lucky this year to have my sets made for my by some set design student from my university. We worked collaboratively to develop my initial designs and they built several mock up models before construction of the final sets started.
Initially I was reluctant to outsource parts of my project to others but am glad I did so as it allowed me to concentrate on constructing my puppets and to attend work experience at Chuck Steel. Although the end result is amazing I wont deny that there were a few hiccups along the way.
I was very lucky this year to have my sets made for my by some set design student from my university. We worked collaboratively to develop my initial designs and they built several mock up models before construction of the final sets started.
Initially I was reluctant to outsource parts of my project to others but am glad I did so as it allowed me to concentrate on constructing my puppets and to attend work experience at Chuck Steel. Although the end result is amazing I wont deny that there were a few hiccups along the way.
I had two sets built for my, I'll start with the exterior set as this is where the majority of the film takes place. This set was constructed from several separate pieces so that I could arrange them in different ways.
The set was carved from huge blocks of polystyrene, some of the pieces were more sculptural...
....others parts (see below) were flatter and could be used to create a sense of depth in the set by placing them in the background.
The exterior set was meant to resemble something between a termite mound and a bee hive. To achieve a honeycomb pattern metal stamps were made that could be heated up and pressed into the polystyrene.
Next came the painting, the image below shows only the first coat, the end result is much more textured and the colour graduated from dark green at the bottom to a light yellow at the top.
This next part is possibly my favorite piece of set (its unfinished in this photo) and sadly it only appears in my film for a few seconds. The aim of this huge wedge is to create a false perspective, to create the illusion that we are looking over the edge of a cliff.
This is how I filmed the shot in question
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